That's a very valid question, Mike...
I have purchased somewhere between 225 and 250 tracks from the iTunes Music
Store. I didn't do it because I like compressed formats, and I sure as hell
didn't do it because I like having my use of something I PAID for limited in
any way, though iTunes is the most liberal of all the DRM scheme's out
there.
No, I'd prefer to download FLAC/AIFF/WAV files. But that will never happen,
from a bandwidth and DRM standpoint. The Music Industry would never go for
it.
I purchased the tracks through the iTMS because it was by far the most cost
effective solution for me given the content I purchased.
Getting all of the tracks I purchased through the iTMS on CD's would
probably have required I buy 500-600 CD's (a rough guess) at a cost many
thousands more than the $225 - $250 I paid at the iTMS. This is because
they are singles, one-off's, etc... As you know, the average CD you buy has
1 or 2 good songs on it that you like (there are, of course, exceptions).
The rest is filler material.
That's also why I tend to by "Best Of" or "Special Collections" when I do
buy CD's (again, there are exceptions).
FLAC is truly awesome. I, for one, would be quite happy to download
purchased music in that format but it will never be allowed.
This brings up another problem that is rarely discussed. What happens if
Apple (or whatever music service you purchase your DRM'd content from) goes
out of business ? It's simple. ALL of your money is gone. Down the tubes.
The music industry would never allow the music service to provide permanent
unlock keys, so if the computer you are using were to ever become
de-authorized (and you know it will due to OS reinstalls, hard drive
replacements, upgrades, etc...), your music is now wasted space.
There needs to be an open-industry standard for a DRM music format. Of
course Microsoft is hell-bent on that being the WMA format, but I as a
consumer could never agree to that. It has to be an open, non-owned
industry format that ALL of the music services use with a universal way of
authentication/authorization so regardless of whether your provider goes out
of business your purchased product is still useable.
Let's face it, companies and thier Executive branches take the money and run
all the time these days. This is an entirely feasible scenario.
Now, as for the iTunes CD problem I reported. I found out what the problem
is.
The reason the right-channel is sounding weak to me is because there is NO
musical energy above 14-15khz in the CD tracks that iTunes makes from the
AAC files. This is VERY distressing for me, and if I would have known this
I would have never purchased all these tracks from the iTMS. Now that I
know it, I won't be purchasing any more.
As you know, most stereo imaging comes from the higher frequencies, not the
lower frequencies. Since they simply are not there, the imaging is getting
thrown off and making it sound, to me, like the right-side channel is weak.
The problem is not the AAC files. They are fine. It is the conversion
process that iTunes (Mac) is using when creating the uncompressed files for
the CD's.
I messed around with equalization a bit, and until you get to the 12k slider
there is NO change in the sound quality. Musical energy 14/15k and above
simply is NOT THERE!
I am truly hoping that this is a problem with the Mac version of iTunes I
used to make the CD's. I am going to use the PC version to re-create a few
of the CD's and see if the situation improves. I'll report my findings
after I get a chance to do it.
If I cannot find a solution for this, I will be making no more purchases
from the iTMS. That's a shame, because it really is the best service out
there.
-Larry
> Just a question about the whole iTunes thing, since you seem to be
smart...
> How do you feel paying for a lossy version of something? You mentioned
FLAC,
> so you obviously know that there are compression formats out there that
are
> lossless...
> As a "musician" or whatever, I can't imagine ever selling people my
"craft"
> in a format that is doesn't reproduce it to the accuracy it was recorded
and
> intended. But I guess there's a whole arguement to be made there, that if
> the user can't tell the difference.. is there even one. But, then again,
my
> parents are perfectly happy listening to 128kbps mp3's, which as we all
> know, sound like shite. Plus, I guess if you just want the "hits".. it's
> probably an ideal solution.
> Ah well, back to sim racing. :)
> Mike
> http://mikebeauchamp.com