[snipped liberally]
It's at the GPLEA site, I think. ( http://www.gpl.netti.nu )
You driven Mexico yet? Believe me, Rouen is a picnic compared to that place.
Yes. The scenery objects are not, it has to be said, the world's greatest. But
who cares? just stay on the track :-)
Get some new sounds, then. Everyone else does. I've got a great Eagle sound
(can't remember where it's from, but it's gorgeous).
That's interesting, as I have exactly the opposite experience. I can hurl the
Eagle into corners at ridiculous angles, and still come out more or less in one
piece; but in the Cooper I have to concentrate ferociously to keep it on line
at all. Of course, I'm probably using different setups to you, and my driving
style may well be different. But to be blunt, if you want to do really fast
times, you'll need the Eagle for Spa and the Lotus for Monza. With the right
setup and absurd amounts of practice there's nothing to touch them.
Horses for courses, then, as with so many things in GPL. If you can go well in
the Cooper, good luck to you. Wish I could...
Not in a "decent" manner, no. But if you want to drive *fast*, then a FF wheel
(or at least a FF stick) is vital. Put it this way: my PB at Spa improved by
four seconds when I first got a FF wheel (though I've improved with the old
non-FF stick since, so the gap isn't as great now). Go the wheel route - you
won't regret it. (The Logitech Wingman FF wheel is the most popular, but some
people - me included - prefer the Microsoft Sidewinder FF wheel.)
No, no, no! Do. Not. EVER. Use. Automatic. Gears. Got that? you probably won't
learn anything new, and you'll lose the feel for gearchanging, which is
important. In any case, finding the redline is easy: if the engine blows up,
you've gone too far...
So you're doing 3:45 in a Cooper? That's not at all bad, actually. My Cooper PB
there is 3:32, after a lot of effort. And to illustrates why you might want to
persevere with the Eagle at Spa: my *Eagle* PB is 3:19!
--
David.
"After all, a mere thousand yards - such a harmless little knoll, really."
(Raymond Mays on Shelsley Walsh)